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Water Water, the common good

Title: Water, common good
Location: Park Ex Pozzi Via Trento Alzaia Corsico (Milano)
Opening: Wednesday, June 2, 2010 at 17.45
Duration: 2 / 5 June 2010
Editor: Antonella Prota Giurleo

Information: Antonella Prota Giurleo 3470312744

to . p rotagiurleo@email.it

Water is a resource for all and all, necessary and indispensable to the performance of women's lives e degli uomini, degli animali, delle piante, della terra intera.

L’acqua è vita, pensare di vendere l’acqua, di privatizzarla, come si sta facendo in Italia e in altri paesi, è come pensare di vendere la vita: è una follia.
Sul tema dell’ Acqua, bene comune è stata organizzata una convocazione di arte postale
Incredibile e inattesa la risposta di artiste ed artisti ( e non solo) dall’Italia e da diversi paesi del mondo. Ogni giorno decine di buste contenenti lavori; nelle buste spesso più a job.
A quantity of work which, not coincidentally, will be hung with small pegs to ropes, to compose a collective installation that recalls the idea of \u200b\u200bthe laundry.
Hundreds of drawings, paintings, collages, photographs, computer art, text, say the attention and the willingness of so many people shared and consolidated the idea that water must be and remain public.

Lyrics:
Anna Martinetti, Antonio Quarta, Grace Lombardi, Maria Antonietta Russo, Maria Carla Baroni, Mimosa Prota Giurleo, Paolo Beverina, Rosanna Veronese, Silvana Colombi, Silvana Gatta, Valeria Pirovano

Opere visive di

ITALIA:

Aphra , Alessandra Boghetich , Angelo Riviello , Anna Boschi , Anna Martinetti , Anna Rosa Faina Gavazzi , Antonella Prota Giurleo , Antonio Sassu , Group Sinestetico , Anthony Sormani , Catherine Azzoni, Cinzia Mastropaolo , Claudio Jaccarino , Cristina Volpi , Daniela Tooth , Domenico Severino , Elena Castagnola , Elisa Mazza , Emanuela Mezzadri , Emilio Morandi , Enrico Franchi , Ester Motta , Fausta Dossi , Fausta Squatrito , Federica Chess , Filippo Soddu , Francesca Mottola , Francesco Ceriani , Gabriele Bianconi , Gabriele Genchi , Gerald Busillo , Giancarlo Ugoccioni , Gianmario Masala , Gianni Franchi , Gilia Montanella , Giuliana Bellini, Giovanni WAY Ravenna , Laura Cristin , Lella Ravens , Lia Battle , Loredana Scarian , Luca Grilli , Ludovica Mottola , Maria Amalia Cangiano , Maria Grazia Zanmarchi , Maria Tonino , Marilde Magni, Maurizio Barraco , Domenico Mimmo Di Caterino , Mirko Bozzato , Nadia Magnabosco Christmas Cucinotta, Nicola Antolini , Nicola Palermo , Odilia Zanini , Ornella Garbin , Paola Z anzottera , Pino Lia , Roberto Scala , Rolando Zucchini , Rosanna Corsini, Rosanna Veronesi , Ruggero Maggi , Salvatore Pepe , Salvatore Vargas , Serena Rossi, Silvana Gatta , Stefania Selmi , Stefano Azzena , Stefano Marchetti, Stefano Soddu , Tarcisio Pingitore , Topylabris , Veronica Menni , Wanda Real

ARGENTINA: Alfredo West Ocampo , Silvia Lissa , Zulema Eleo
BELGIO: Liza Leyla
BRAZIL: Heloisa M. Rattle , Hugo Pontes , Lavinia Thys, Maria Da Gloria De Jesus Oliveira, Maria Araujo give it to me
BULGARIA: Nadezhda Blagoeva
DENMARK: Marina Salmaso
FINLAND: Aila Koivisto , Aila Rautanen , Anja Mattila , Eeva Maija Maula , Eira Viertom a, Irene Kaunisto , Irja Rantala , Kana Wusitalo , Meeri Lindfors , Nina Nahkala , Nonna – Nina Makki , Paul Tiilila , Perttu Rukakowsi , Reija Remes , Ritta Forstrom , Siha Ojala , Stig Ronn , Tarja Trygg , Tarjo Hlopainen
GERMANIA:Klaus Groh
GIAPPONE: Jun Tagami
GREAT BRITAIN: Sna Khan
GREECE: Georgia Gregoriadon
INDIA Renuka Kesaramadu
ITALY / GERMANY: Gretel Fehr
ROMANIA: Corneliu Ionescu
SPAIN: Carmen Teresa Troll , Eva Figueras Ferrer , Gustavo Vega , Isidro Lopez Aparicio , Pere Salinas , Sergi Quinonero , Valdor
URUGUAY:Clemente Padin

Buy Walgreeens Alpha Hydroxy Face Cream

Seee, oh well! BBuongiorno! The

qane Inside the castle there is a
qane ugly and most beautiful qane
Inside the qane Timbuktu
If I go there I stay out of you.

qane Each has constipation, sooner or later. But double (i), that is, after then, go back to risqossa!

Fer instance, I knew that was a qane sports and swimming, was a pesceqane. Then one night he broke the balls to swim and swim and swim and put on a bit 'of tripe and has grown a trunk and has become a eleqane. CoLunque makes no sense to talk about it, because it is not true.

But it is true that inside the qane Racconigi there are two orange and two qani qani gray, and that inside the qane Antananarivo (Capital of Madagascar) is a qane who has everything and a qane which is of no!

If you are Asti and Natte

If you miss any massino when you extract you feel a little 'gonzo

If life is not like telling the back of ice cream-cookie

If you sucks the dick of cracks at' orange and Grand Marnier, the nutella crepe is the fucking, especially Frog!

If you shoot in someone's face when he tells you "no, I do not like Guinness, you know too much about coffee"

If everyone is talking about things that do not have the slightest idea, but they do it with style If you

dry balls with CD Laura Pausini

If you are not forming a question mark on the head when you hear the word "slope"

If you're not one of those who screams in falsetto infants

So qaro my ... Are you a

qane. And a qane rain, which is solace in the thought that soon will smell of wet qane. And you probably like to run in the car, with his tongue hanging out and the guitar riff to accompany zwiiiin swiuuuun, zwiiiiiiiiiiiiii, zirizirizirizirizirizirizi. Are you a Qane. A Qane Qane the color of that escapes, and you're going to the rescue.

Milena Velba-do Not Disturd

Utopia Contemporary Art - MARKETING - INTERNATIONAL EXHIBITION OF WATER - THE "Chien" ... LES ERRANCES DE L'EAU ...

Utopia Contemporary Art - CAMPAGNA - RASSEGNA INTERNAZIONALE DELL’ACQUA - LA "CHIENA": ...LES ERRANCES DE L'EAU...

Penis Cut Off In Horror Movie

DOMITIAFRICA



DOMITIAFRICA

MUSEO CIVICO ARCHEOLOGICO “Biagio Greco” di Mondragone (Caserta) Inaugurazione Sabato 22 maggio 2010, alle ore 18,30 - dal 22 maggio al 18 giugno 2010
a cura di Giorgio Malatesta

Artisti:
Agnieszka Kiersztan - Angelo Riviello - Antonio Di Grazia - Bernardo Pagliaro - DiVa - Massimiliano Mirabella - Mimmo Di Dio - Rocco Sciaudone - Salvatore Vargas - Stefano Piancastelli - Giuseppe Di Guida & Raffaele Vargas

Pittura, photo, video, installations.
range from several different languages \u200b\u200band techniques the artists' works in the exhibition "DOMITIAFRICA" that queries a piece of the Campania region: the Domitian coast, a symbolic place for the concentration of such phenomena as the Camorra, drug, environmental and social degradation. An area where often the political management has been intertwined with the business center, allowing the costs of a reckless enviable from the point of view of landscape and tourism. In some cases, the culprit lack of control made it easy implementation of serious environmental crimes with the construction of landfills for dangerous poisons to public health. Finally, the lack of a plan to properly manage migration has fueled the rise of illegal hiring, prostitution and delinquency, completely leaving only the local community to suffer the weight of all these problems. E 'adversarial open the borders to allow free movement of goods and at the same time, build walls to stop that of humans. But, when you need them, the same men are reduced to merchandise the goods. Poor men, women, children thirsty and hungry, are exploited without any restraint, as cheap labor, sex slaves, or even the inhuman trade in human parts. And when all this is still not enough, they are used as targets bullets for gangsters and demonstration of occult powers.

The works on show, not surprisingly, relate-collision with a different context, of excellence, that of the local archaeological museum, which contains precious evidence of the ancient history of this land, now devastated. Wrapped dall'abolla wool museum, the works, so full of tension, pathos, do not remain anchored in the emotional effect, private, but to produce an amplification effect in the living matter of the social body. Widen the horizon of the reflections in the collective sphere and politics. The local context, as well as having special character, is taken as a tragic icon of a system of strong contradictions e si carica di significati più ampi, caratterizzandosi come il frammento di uno specchio globale che, tra le sue molteplici crepe, riflette con nitidezza la deriva del mondo contemporaneo. Le opere si offrono al museo non per essere cinte dall’aura, ma come reperti dissacrati e dissacranti, come testimonianze di saccheggi ai danni di una terra scomparsa, di una terra che non è più “madre”, da rispettare, preservare, non è più il fondo di un progetto di futuro umano e civile ma solo risorsa da sfruttare, adesso, subito.

Con tecniche differenti, con linguaggi diretti o metafore visive, in tutte le opere trapela la volontà di sottolineare queste contraddizioni: Rocco Sciaudone , spoke on the great tower of the dilapidated former factory Italfood, emblem of the failure of a dream industry of the south, and all the southern hemisphere, "Domitiana public art", a video work and photography, outdoors, or in the folds wounds of reality. A reality without the characteristic features of human aggregation, a place is not what emerges from the picture Salvador Vargas, a landscape attacked, corroded, compromised to the point of losing all urban connotation. Bernardo Pagliaro, collected artifacts, bags, and pieces of container, from a state that no longer exists, "Zaire", which is now part of the Republic of Congo. On a canvas depicts the head of an African leopard between brands and advertising simply, essential. These findings bear signs of who knows what adventures and dangers, come down to us in one of the many journeys of hope, on a cart or in a suffocating sea containers. The redemption from a condition of slavery and the recognition of human dignity of a prostitute is synthesized in the picture Agnieszka Kiersztan , crowned with white pearls like a princess in Africa. Angelo Riviello, with a gesture of irony, in a work of photographic decollage, unmasks the redundant political rhetoric, propaganda phrases contained in an election manifesto, and relating them with the face of a young black man that appears below the tear. Antonio Di Grazia, instead, spoke with an installation titled explanatory "the skeletons are no longer in the closet." A horizontal to Mimmo Di Dio, the road gray silk and shiny as the red-hot asphalt, and full episodes of paintings, humans or animals, until the edges, corners, in a now familiar ritual that is repeated at 'dawn and dusk. Men from the invisible body made only by hand labor, the only ones that have remained attached to their chests full of tomatoes in the installation of Giuseppe Di Help & Raffaele Vargas. The work is the missing part, these ghosts are just hands for the rest of the paper is ready for expulsion.

nb The exhibition will run until June 18, 2010 and will be open during the opening hours of the museum. Free admission



Morning Hours: Tuesday to Friday 8:30 to 13:30, Saturday 10:30 to 12:30.
Afternoon:
from April 1 to September 30: Tuesday, Thursday and Saturday, 18:00 to 20:00;
from October 1 to March 31: Tuesday, Thursday and Saturday, 16:30 to 18:30.
Sunday and Monday closed.